What joyous sounds we heard from our publisher’s representative, Adam Burbage, at our Feb 23rd Psychoanalytic Inquiry (PI) Editors’ Meeting! Adam told us we’ve emerged from Covid stronger than when we entered! We had more than 20,000 downloads and a 40% increase in our growth this past year.
In addition, this year’s meeting was unusually spirited as well as intensely collegial and collaborative as we productively questioned old ideas. While that’s not something new for PI, somehow this year’s spirit was more active, more bonding than any other time I recall. After the meeting, intrigued by what made this year special, I asked Mel what he thought. His immediate ebullient answer was, “That’s what freedom brings!”
Hallelujah!!!
The Hallelujah is mine, not Mel’s, although I know he feels the same.
Leonard Cohen’s “Hallelujah” is a quizzical piece, so why did I choose this oxymoronic tune to announce our joy? And why did Cohen even call such a pensive, trance-like, moody — even pissy at times — piece by the name synonymous with joy of biblical proportions. We’re unable to know Cohen’s intentions, but I’m able to share mine.
We lost our Joe and we suffered Covid, each at the same time. A terrible loss ×2, yet we did survive! Hallelujah!!!
Hallelujah
Performed by Andrea & Virginia Bocelli
I’m not sure why I chose Cohen’s “Hallelujah”. There were others.
Maybe it’s the ever present mix of life’s sadness, hope, glory and uncertainty in which we, during our work, immerse ourselves daily. And maybe it was the sweet mix of generations evinced by the duet of Andrea Bocelli and his 8 year old daughter, Virginia, singing informally as they sat on the floor that made this clip stand out among many other Hallelujahs.
Please click video to start playback, then scroll on to keep reading!
I’m sure you noticed the woman, whom, I assume, was Bocelli’s wife and Virginia’s mother, sitting on the edge of the balcony. That seemed an unusual statement of, “I’m with them.” I found it a bit distracting, but I stuck with this clip because, the duet and the comfort of Bocelli and Virginia sitting together cross-legged on the stage floor was its own kind of quiet iconoclastic joy. I don’t want to get too “brainy” about this: the clip just seemed to fit.
I’ll now try to convey the overarching tenor of our meeting that, according to Jackie Gotthold’s articulation, was a conversation she characterized as synergistic. Before I present the individual issue topics, though, I want to describe the contextual underpinnings onto which those topics were cast.
The meeting, our first face-to-face experience since Covid joined us, began with Mel setting the meeting’s conversational tone, free of obfuscational psychoanalytic nuance. In his introduction, Mel simply described the journal as “an approach to understanding how people operate, especially when they are ill.”
How’s that for a free, clear, broad, inclusive definition?
Something unusual also happened in an unplanned and organic way. We were 23 in a large room meant to hold 40 at 4 tables of 10. We occupied only 2 tables, set across the room at some distance from each other.
During the first few minutes of the meeting, unbeknownst to me since my focus was on my notes rather than on the room, the people at the ends of each table moved their chairs so that in effect we formed a continuous circle of people sitting around two distant tables. No one had their back toward anyone else. We never before had that communal configuration, and it must have been a facilitator for what followed.
Linda Michaels was an early speaker. She represents PSIAN, the Psychotherapy Action Network, an organization that bridges the gulf between the community’s treatment needs and the broad treatment-offering world. PSIAN represents and supports the relational and analytically-oriented perspective and defends it against the many glittering “get well quick” schemes that entice people away from what we offer.
Linda, speaking from her experience base of talking with ”regular” people, suggested perhaps since psychoanalysis is an unclear and confusing word, we need to rehabilitate the term for the general community. It’s associated with many misconceptions based on well-ensconced historical clichés such as the “old fashioned analytic couch” of New Yorker cartoon fame (as well as the accompanying silence on the part of the anonymous analyst).
At this point, Art Gray, sitting at the other table within what had now become a circle, raised an issue about the oft-used adjective depth to describe therapy. Art noted the idea of depth is a historical remnant of Freud’s old structural model wherein the real gold of treatment lay hidden in the depths of the System Unconscious, contained beneath a repression barrier. In that model the therapeutic effort was designed to present the unpleasant truth of the civilization endangering drives to a moderating ego. Art then reiterated Linda’s idea about rehabilitating the term psychoanalysis. Jackie’s synergy evolved as we talked enthusiastically about how the old analytic ideas of uncovering, undoing and disassembling no longer are what we do in contemporary treatment. Instead, our inquiries are oriented towards learning about a person’s ancient toxic affective experiences so repair and “building up” may occur safely within the containment of a helping relationship.
A bit later, Susana Martinez told about her coming iconoclastic issue, edited with Art Gray, and temporarily titled, A Requiem for Narcissism?
In this issue, Susana and Art ask their contributors to explore the following questions: Given what we know today about infant development, the dyadic nature of the mind, and the co-construction of interactions, does it make sense to maintain the concept of narcissism?
Susana and Art also asked, is narcissism a helpful notion for understanding the complexity of unconscious motivation? Can this concept be maintained from a developmental perspective? Is it useful clinically, and if so, how else can we understand the clinical phenomena narcissism is meant to describe and explain?
Further, they raised the quintessential PI question: does this old, complex, highly misunderstood, oft-misused term still have value to us in our work? Does it need to be rethought?
We joined the conversation as a group and discussed how narcissism had become synonymous with obnoxious, self-serving, behavior in the general discourse, thanks to the prominent display of tragically immature narcissism by public figures. We also spoke about how narcissism, in our historic psychoanalytic discourse, was tied to Freud’s ideas of the infant’s Primary Narcissism and to the developmental line he created to explain how the goal of growth was to relinquish narcissism (self-love) in favor of object-love, thereby perpetuating an altruistic religious, not psychological, concept of narcissism.
We acknowledged this idea was outdated; Kohut had his own ideas about narcissism he camouflaged because they differed from Freud’s thinking by 180 degrees. Still, we recognized Kohut’s thoughts about self-object needs could be retained even if, in our analytic conversation, they became dislodged from the confusing, even outmoded, label of narcissism.
Openness to rethinking old ideas, even discarding them when they are misleading, emerged as an important PI element within the ideological ambiance of the room. It made perfect sense. Fresh eyes on old thoughts has been a PI trademark since Volume 1, Number 1: Regression: A Broader Understanding of the Concept.
Our first issue spoke to regression being more than a pejorative state, as was our common experience then. Instead, the first PI issue presented regression as foundational to developmental creativity.
In the uninterrupted spirit of inquiry that continues to be the PI legacy, Mady Chalk told us editing a new monograph, A Sense of Power. The focal paper of her monograph was written by Joe and explores, extends, expands, and alters his own psychoanalytic theory of motivation.
This current revision of Joe’s old idea offers new guidance about what an analyst looks for in analytic therapy. Joe and his collaborators, Frank Lachmann and Jim Fosshage, suggest a common thread animating all motivational activity is a sense of power they define as: the experience of can-do and of being a doer doing. Fluctuations in the sense of power have far-reaching, but often unrecognized, consequences for envisioning the relationship between adaptive and maladaptive intentions and goals.
Mady’s monograph explores these issues through three papers.
The first, as noted above, is by Joe: A Sense of Power. The second, written by Frank, is titled, Creativity and a Sense of Power, and the third written by Jim, is Dreaming: Rebalancing One’s Sense of Power. The monograph’s prologue was written by Mady, and the epilogue was authored by Mel Bornstein.
Now, let’s discuss upcoming issues…